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markrhiggins
Joined: 28 Jan 2008
Posts: 2042
Location: Australia
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Posted: Wed Jul 18, 2012 6:35 am
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Thanks Matt
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semmickphoto

Joined: 12 Feb 2012
Posts: 6632
Location: Stuck between a shutter and a hard place
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Posted: Wed Jul 18, 2012 6:39 am
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| mattgibson wrote: | Jeez, why do people not read the posts!!!!
| Quote: | Hi folks! I'm looking for some constructive feedback on the composition of these photos which were rejected for composition. I know it's different in stock photography, but I'm just having a hard time getting my head around it. Photos are resized and now the beautiful details look craptacular :( but the composition is why they were rejected | Quote: | | (HOWEVER, if you have any other critique or suggestions, I'm all ears!) |
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| Quote: | | but the composition is why they were rejected |
| Quote: | | The originals are actually super sharp |
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mattgibson

Joined: 11 Nov 2009
Posts: 607
Location: London
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Posted: Wed Jul 18, 2012 7:13 am
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If I had a quid for every poster who said "The originals are tack sharp" and then posts a 100% crop.....
Asked for critique on composition and ANY OTHER aspects
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ruxpriencdiam

Joined: 07 May 2009
Posts: 26822
Location: Third Stone from the Sun
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Posted: Wed Jul 18, 2012 8:29 am
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| semmickphoto wrote: | | mattgibson wrote: | Jeez, why do people not read the posts!!!!
| Quote: | Hi folks! I'm looking for some constructive feedback on the composition of these photos which were rejected for composition. I know it's different in stock photography, but I'm just having a hard time getting my head around it. Photos are resized and now the beautiful details look craptacular :( but the composition is why they were rejected | Quote: | | (HOWEVER, if you have any other critique or suggestions, I'm all ears!) |
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| Quote: | | but the composition is why they were rejected |
| Quote: | | The originals are actually super sharp |
| Does the poster actually know what sharp standards here are?
I doubt it!
Geesh look at the damselfly and cattail they are flat out OOF even at this size.
And as i stated as did Mark, reviewers will only pick one rejection even though there may be other reasons.
If a NEWBIE comes here and just asks for only a partial critique and we can see more then one issue with it then why not point it out because the next reviewer they get may point it out to them and then they get all pissy about it.
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Karin Babin

Joined: 16 Jul 2012
Posts: 20
Location: Calgary, AB
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Posted: Wed Jul 18, 2012 11:56 am
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Ok, if anyone gets to be pissy here, it's me and I'm not pissy, so enough bickering.
I don't have time to figure out how to do the crops right now as I'm running out the door in a minute, but all the feedback is really helpful, I'm not offended, it's the best way get better and I appreciate it.
I will learn to resize properly for this purpose this evening because again, I shrunk these and they also look terrible now.
SOOOO back to composition - are these any better? Just the composition please.
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semmickphoto

Joined: 12 Feb 2012
Posts: 6632
Location: Stuck between a shutter and a hard place
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Posted: Wed Jul 18, 2012 12:01 pm
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Please accept my apologies Karin. Everyone here is respected and very helpful. I didnt mean to bicker.
Good luck with your endeavours in the stock world :)
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kellythorson

Joined: 22 Sep 2011
Posts: 743
Location: Canada
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Posted: Wed Jul 18, 2012 12:07 pm
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| Karin Babin wrote: | Ok, if anyone gets to be pissy here, it's me and I'm not pissy, so enough bickering.
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LOL, Atta Girl!
As far as the composition of your last two, try cropping the first image so the closest power pole was 1/3 of the way into the image from the right (just right of the second fencepost) and then crop the foreground to about where the first fencepost intersects the grass. That will move your center of interest from the middle of the page as well as cutting of the distracting out of focus grass in the foreground.
I think the second image would be better from a higher vantage point and perhaps more to the left perhaps. As it is there is a lot of confusion in the background as well as something in the foreground that doesn't really add to the image. In addition the reflection of the overhead florescent is overpowering because it has a higher contrast than the subject matter.
As far as composition rejections, I believe that they often encompass subject matter and backgrounds and how they relate to each other. In other words I think a busy or unsuitable background can be a reason for a composition rejection.
I'm sure you have heard of the rule of thirds, but if you Google it and select images there are lots of good examples to view as well as explanations.
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ruxpriencdiam

Joined: 07 May 2009
Posts: 26822
Location: Third Stone from the Sun
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Posted: Wed Jul 18, 2012 12:31 pm
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Perhaps more like this because we read left to right.
It also get the horizon out of center.
Just trying to be helpful to you because a lot of people think their images are sharp but once they see them at 100% and still think they are sharp we have to show them what sharp really is.
All the reviewers are different and see different things so just trying to be on the cautious side.
And hey if your images are sharp as you say i will be glad to say you are right!
But i am just me and that's it.
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hhltdave5

Joined: 20 Jun 2006
Posts: 24308
Location: Our Stock, Food & Portrait photography books at www.rindersmithphotography.com
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Posted: Wed Jul 18, 2012 12:35 pm
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I agree with Kelly. Often times you can fix one issue such as an improper use of depth of field by composing it differently. As mentioned the out of focus grass in the foreground hurts the image but if you crop that out during composition or in editing you have a better image.
The second has does have a very distracting background. You have a lot of lines moving in all directions. Some look like shelf supports, there seems to be tiles which have grout lines and there is also what appears to be a handle of something else sticking into the shot. Too many things which causes the eye to wander over the image.
Try and compose it better if it is possible or simple shoot it in a different place where you can control the background and therefore have a more pleasing composition.
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rinder99

Joined: 12 Jul 2005
Posts: 39645
Location: Contact www.rinderart.com/Books and Workshops www.rindersmithphotography.com Youtube/rinder
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Posted: Wed Jul 18, 2012 2:42 pm
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composition can include many things as in How you compose an Image , There are for centuries been Compositional rules as in leading lines,vanishing points,Thirds and so on.Knowing these rules is Important but , whats more important is knowing when and how to break them and that is totally subject specific, I break them all the time to force viewers into looking where "I" want them to. Placing a horizon in the center of any Landscape Image is right up there in the top 3 No,No's. It leaves the viewer nowhere and makes it static, Horizontal thirds is very Important,Much more than vertical Thirds.I prefer barrys version as in Left to right and dropping the horizon.
The coffee/Pot Image as said is way to busy,Lighting is Poor and the reflections of whatever Light coming down kills it. Thats composition also, Composition goes hand in hand with Lighting to attract or push away a viewer,Also as you mentioned DOF is a very big part of composition and should always be considered when composing a shot and having a complete understanding of how to use it is critical, How it is affected by Distance to subject and focal length used.
Theres a lot that goes into composition, Not just where you stand Thats why of the Big 3 Composition is king,Then comes Exposure and DOF . If you say the Images are tack sharp where the subject is, Thats fine with me.
Personally and because I've been doing this longer than anyone here, I Like to see the overall and a 100% crop of the subject. I want you to get accepted, Thats why we do this. The reviewers here are getting tougher and tougher every single day. I reviewed for 3+ years and trust me, we hit the wrong button all the time and.... What one reviewer misses the next one will see and you can take that to the bank Like noise,artifacts,WB,Shadows and most of all commercial value and uniqueness of subject that hasen't been done a million Times.And again Like I always say. getting accepted is the easy part of this whole thing.
Good luck.
Help us, Help you.
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Karin Babin

Joined: 16 Jul 2012
Posts: 20
Location: Calgary, AB
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Posted: Wed Jul 18, 2012 3:09 pm
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Thanks so much gentlemen! I am not really sure that stock is for me. I love animals, people, kids, beautiful pregnant ladies and tiny babies (awwww), and since my background is actually in commercial real estate and leasing, I lucked out when I decided to do photography as business (or actually it morphed into a business and I jumped the world of real estate ship), and I also ended up with a pretty good real estate clientele.
But I've been told a few times to give this a shot, so I thought, meh, why not? But this type of commercial photography is very different than what I'm used to, and honestly, I've never tried to take photographs that would qualify as stock before this past month. Maybe I need to try to take photos I would actually take but look at them from a stock photo perspective rather an artistic or emotion-evoking perspective. Not sure that you needed all that info...
All this info is really invaluable. I will take it all and spend a few days shooting and trying to apply the advice. I'll try and get accepted again, and see if I can develop the eye I need for this. I'll be back, with properly cropped photos next week possibly and see if I've improved any. Look for my post all!
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rinder99

Joined: 12 Jul 2005
Posts: 39645
Location: Contact www.rinderart.com/Books and Workshops www.rindersmithphotography.com Youtube/rinder
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Posted: Wed Jul 18, 2012 3:24 pm
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How does one become unique??? simple. You shoot what turns YOU on. Forget what anyone says, Your job is to keep it yours, No one knows what sells and what doesn't in stock and thats what makes it fun in a strange way. also, It is not your job to determine the value of your work, let all that go, Your job is to just simply do the work. Can't wait to see what you come up with.
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hhltdave5

Joined: 20 Jun 2006
Posts: 24308
Location: Our Stock, Food & Portrait photography books at www.rindersmithphotography.com
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Posted: Wed Jul 18, 2012 3:43 pm
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| Karin Babin wrote: | Thanks so much gentlemen! I am not really sure that stock is for me. I love animals, people, kids, beautiful pregnant ladies and tiny babies (awwww), and since my background is actually in commercial real estate and leasing, I lucked out when I decided to do photography as business (or actually it morphed into a business and I jumped the world of real estate ship), and I also ended up with a pretty good real estate clientele.
But I've been told a few times to give this a shot, so I thought, meh, why not? But this type of commercial photography is very different than what I'm used to, and honestly, I've never tried to take photographs that would qualify as stock before this past month. Maybe I need to try to take photos I would actually take but look at them from a stock photo perspective rather an artistic or emotion-evoking perspective. Not sure that you needed all that info...
All this info is really invaluable. I will take it all and spend a few days shooting and trying to apply the advice. I'll try and get accepted again, and see if I can develop the eye I need for this. I'll be back, with properly cropped photos next week possibly and see if I've improved any. Look for my post all! |
The one thing that so many wrestle with when they try stock is just what you mentioned. They wonder if they can do this type of photography and they think it kind of goes against the type of work they have been doing.
There are quite a few of us here who still retain what we like to shoot and still can go into that stock mode when it is called for. You can do the same thing. The only question is do you want to?
There are also many of us here who put their artistic stamp on the type of stock they submit and many of them do very well. I can look at an image and quite often I can tell who the photographer was because I recognize their style or their stamp.
Stock is not just pumping out isolations and boring product work. I am one who is always preaching to get past that. Know that there is an important place for images like that in stock but by no means is it the only thing.
After awhile you will see what many of us here like to shoot by looking at our portfolios. They are all very different.
My business partner Laurin (Rinder99) thrives on his unique portrait work. I love doing food and landscapes. Check out people like Sandra Cunningham, Katrina Brown, Marie McFields, Jeff Thrower and the list goes on and on.
Each one is different and unique so you can put your own stamp on your work and be a success with stock as well as other forms of photography.
I hope you decide to stick around. I see something in your photography that is not only good but has stock potential. We are here to help if you want it.
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jeffbanke

Joined: 18 Dec 2005
Posts: 17518
Location: www.xlr8photo.com, The real California
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Posted: Wed Jul 18, 2012 4:46 pm
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Stock photography will actually make you a better all round photographer!
There are a few simple guidelines that one must follow:
Backgrounds must be clean and free of clutter
(The background in your cable drum or the vertical lines coming out of the coffee pot )
Copyright is a big issue,
Logos, emblems are copyrighted and must be removed
Certain buildings, vehicles and other objects are copyrighted, since you were in the real estate business you will know that any Frank Lloyd Wright building is copyrighted, the Chrysler building and TransAmerica building in San Francisco, The opera house in Sydney, and the lighting on the Eiffel tower, and the list goes on, are all copyrighted.
(The name of the company on your big cable drum for example is a no-no)
All images must have commercial value, by that I mean they must convey a concept, illustrate a process or service, support a product or exemplify a perfect example of the subject.
Pregnant ladies, cute babies and in fact any images of people are high on the list of commercial images as they can be used in many ways. Just remember to get down to the level of the child, images from an adults perspective looking down on a child are less artistically pleasing and have less commercial value. People can be shot doing activities, my wife doing her Jazzercise exercises is on several sites, a closeup of a foot and another of a hand/arm massage are high sellers for me, turning up on medical sites, massage sites, etc.
Animals have less CV, but do sell depending on how they are done, one of my most easily found images (now in 4 books on Horse care) is the rear end of a horse with a woman's arm grooming the horse with a brush. One of my best selling images is an isolation of a turkey, but I have images in books on Pheasants, pigeons, turkeys and several other animals.
Anything that does not ADD to an image should not be in the image, for example the blurry grass in the front of your image of the power lines serves no purpose, does not add to the image and therefor does not belong in the image.
The other guys mentioned a few things like the "Rule of thirds" which almost always makes an image particularly landscape images more attractive.
So as you can see these guidelines are not just specific to stock photography, but to photography in general and will make you a better photographer.
If indeed your insects are sharp, and you have the pixels the suggested crops to remove distracting elements in the background are the way to go and would probably be accepted.
Hope all this helps,
Jeff
BTW these are a few of what sold again today :-)
Last edited by jeffbanke on Wed Jul 18, 2012 5:30 pm; edited 4 times in total |
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mauijon

Joined: 02 Mar 2005
Posts: 4311
Location: Maui, Hawaii
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Posted: Wed Jul 18, 2012 5:07 pm
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Don't give up Girl!
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