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Most affordable way to blow out studio background?
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cubrazol


Joined: 02 Apr 2009
Posts: 69

Post Posted: Sat Aug 29, 2009 8:24 am     Reply with quote

Hi

I have a d70s which I use to wirelessly control a sb600 via CLS (preflashes).

I want to use my sb600 as key light on my model but also blow out the background by using two additional flashes at max strength. The d70s can only control one group so I cant use CLS to set different strength for key and background light.

Setting the background lights to manual and triggering by optical slave will not work since the CLS preflash will trigger the background flashes.

Any ideas about the cheapest way to blow out the background and suggested equipment?

Thanks!
vclements


Joined: 20 Sep 2007
Posts: 1997
Location: http://www.vdavidclements.com

Post Posted: Sat Aug 29, 2009 8:44 am     Reply with quote

The only thing I can think of is don't use CLS. Set the SB's to manual and use a flash meter to get the correct ratios.
You want the BG to be 1-2 stops over the main depending on the subject distance to the BG.
cubrazol


Joined: 02 Apr 2009
Posts: 69

Post Posted: Sat Aug 29, 2009 11:36 am     Reply with quote

I only have one sb600 which I need to trigger somehow. Preflash is the cheapest way since I already have that. I also need two cheap flashes and to trigger them somehow. The question is which background flashes to buy and how to trigger them.
massman


Joined: 04 Jul 2006
Posts: 453
Location: South Wales

Post Posted: Sat Aug 29, 2009 3:11 pm     Reply with quote

You could do worse than some SB24s and cheap ebay radio triggers, works for me.
vclements


Joined: 20 Sep 2007
Posts: 1997
Location: http://www.vdavidclements.com

Post Posted: Sat Aug 29, 2009 3:33 pm     Reply with quote

Your going to nickle and dime yourself to death trying to do stuff super cheap - it's gonna cost at least a few dollars.

If you need to remotely fire the SB, then you can either look at a wireless (the stuff on Ebay should last about a year before it dies). Alternately you can get the correct cord from Nikon (or look for it used) for less than $50. This will take care of firing the main.

Now you need a couple of flashes for the BG, a couple of used Vivitar 283's will give you decent power for cheap. You will need 2 optical slaves that will be triggered from the main (you could use 1 and wire between, but that can be a real PITA as you may need to crack open a 283 to accept external trigger).

I would invest $100 in a used flash meter that can also do ambient - it's well worth it. However, if that is not in the budget, then shoot/adjust/shoot/adjust/shoot/adjust...............

NOTE: DO NOT use the 283's directly on your DSLRs!!!
The 283's have a high sync voltage that will kill DSLRs. Use them wireless, or via an optical trigger or via a safe sync
rinder99


Joined: 12 Jul 2005
Posts: 19013
Location: Books and Class Info, www.rindersmithphotography.com or, www.rinderart.com

Post Posted: Mon Aug 31, 2009 11:40 pm     Reply with quote

If this is your Life or you want it to be. invest in it.Get real equipment. ya only have to buy it once. stop with the e-bay mentality.sorry......True.

Cheapest way?? get some 500watt Hot lights. 10 dollars. and watch your house catch fire.
kschulze


Joined: 14 Aug 2005
Posts: 306
Location: Downers Grove, Illinois, U.S.A.

Post Posted: Wed Sep 02, 2009 6:43 am     Reply with quote

rinder99 wrote:
If this is your Life or you want it to be. invest in it.


Well said, Laurin.
zulufoto


Joined: 11 Dec 2008
Posts: 263
Location: www.zulufoto.com

Post Posted: Thu Sep 03, 2009 1:41 pm     Reply with quote

It depends on what your background is made of. I use a muslin and I use two Alien Bee 800's and that barely seems enough on most shoots.
greenfield54


Joined: 21 Jun 2009
Posts: 235
Location: Philippines

Post Posted: Mon Sep 21, 2009 8:33 am     Reply with quote

vclements wrote:
The only thing I can think of is don't use CLS. Set the SB's to manual and use a flash meter to get the correct ratios.
You want the BG to be 1-2 stops over the main depending on the subject distance to the BG.


How do you exactly know when a BG is 1-2 stops over the main? Thanks.
vclements


Joined: 20 Sep 2007
Posts: 1997
Location: http://www.vdavidclements.com

Post Posted: Mon Sep 21, 2009 8:51 am     Reply with quote

greenfield54 wrote:
vclements wrote:
The only thing I can think of is don't use CLS. Set the SB's to manual and use a flash meter to get the correct ratios.
You want the BG to be 1-2 stops over the main depending on the subject distance to the BG.


How do you exactly know when a BG is 1-2 stops over the main? Thanks.


Flashmeter
greenfield54


Joined: 21 Jun 2009
Posts: 235
Location: Philippines

Post Posted: Mon Sep 21, 2009 8:57 am     Reply with quote

vclements wrote:
greenfield54 wrote:
vclements wrote:
The only thing I can think of is don't use CLS. Set the SB's to manual and use a flash meter to get the correct ratios.
You want the BG to be 1-2 stops over the main depending on the subject distance to the BG.


How do you exactly know when a BG is 1-2 stops over the main? Thanks.


Flashmeter


Oh. My ignorance is showing. I have never had a flashmeter.
davidcrehner


Joined: 20 Jul 2005
Posts: 4176

Post Posted: Thu Sep 24, 2009 10:59 am     Reply with quote

joeygil


Joined: 09 Aug 2005
Posts: 450

Post Posted: Thu Sep 24, 2009 2:21 pm     Reply with quote

On Canon cameras you can hit the * button to pre-set flash exposure, recompose and shoot. If you can do the same with Nikon, you can pre-flash first, let the optical slaved flashguns regenerate, then take your shot.


Another think you can do is fix it in Photoshop. I make a copy of the original layer, make an opacity mask, past in another copy of that layer, adjust levels in the opacity mask for very high contrast, so the background turns white and your subject turns black. Fill in any spots with white or black, depending on what you need, fix the edges with your brush blending mode set to Overlay.

Once you've done that, you've essentially isolated your second layer. Go back to the layer view, and adjust levels until the background is white. The subject (which is masked) shouldn't be affected.
flashgun


Joined: 06 Jul 2009
Posts: 5

Post Posted: Thu Sep 24, 2009 7:30 pm     Reply with quote

Stick of dynamite might do the trick
deryck


Joined: 30 Jul 2009
Posts: 1

Post Posted: Mon Sep 28, 2009 1:26 am     Reply with quote

If you put your light source to one side so that the light falls on the subject AND the background. Then put a defusser of some sort (tracing paper) to reduce the light falling on the subject BUT NOT INTERFERING with the light falling on the background. Now open your aperture until the exposure is correct on the subject. ( If shooting in full auto mode you might want to just use the over/under button and over expose until the subject is lit correctly) this will now have the bg over exposed. by how much it is over exposed is determined by the amount of difussion you have used.
 
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