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Adventures in Time-lapse

 
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jeremysale


Joined: 13 Mar 2007
Posts: 2
Location: Toronto, Canada

Post Posted: Mon Feb 22, 2010 5:04 pm     Reply with quote


Adventures in Time-lapse
By Jeremy Sale, Shutterstock Footage submitter


(This is the seventh article in a series provided in association with Shutterstock)


I have always enjoyed time-lapse photography, and have great respect for both the pioneers in film and the digital artisans of today. There is so much affordable technology now available to the amateur that it is almost impossible to resist the call, if you are so inspired. I don't know how many dilettantes were messing with time-lapse rigs before digital, but I'm guessing it was a pretty small club. Cinematic operas like Baraka and Koyaaniskatsi were the product of top-notch professionals—gorgeous visual poetry that would make the rest of us drool, while we contented ourselves with stills.

However, things have changed. Some of today’s DSLRs have intervalometers for programming a series of time-lapse shots, or one can be hooked up to your camera as an accessory. Big LCDs give you instant feedback on your exposure, and affordable software has made it easy to translate JPEGs into high quality HD1080 (and beyond). But you can't just aim your camera at the clouds and read a magazine for an hour. Sellable time-lapse requires new ideas, novel techniques and a constantly evolving look at what clients are buying.

http://footage.shutterstock.com/video.html?id=566974

This video was certainly one of my most fun to compose. I love neon colors and the high-contrast look of city streets at night. You get fewer strange looks at night, too. Driving in daylight, you've got people wondering if you work for Google Maps or if you're just some voyeuristic psycho. At night, you're just another wacky artist, probably a film student.

In this case, I used my old Nikon D70s with a 20mm f/2.8, mounted on a panning telescope tripod, which in turn is bolted to a "cheeseplate" (grip lingo for “piece of aluminum with holes in it”). The cheeseplate has been ratcheted down within an inch of its life on the roof of my Hyundai, with sandbags underneath. There are so many ways this can go wrong that it's best not to think about it. To add to the stress, there is no redundant restraint. Since the whole rig rotates every 10 minutes or so, there's no easy way to secure it to another part of the car in case of catastrophic failure. (Hey, there's a reason I don't use my Nikon D700.) You definitely want a filter on your lens, too.

But don't forget the math. Once you have eyeballed a good combination of aperture, shutter speed, ISO and white balance (I keep all settings on manual), you have to figure out how long you want the final product to be. Then, how many rotations of the panning rig you want to fill that time span, and what length of shutter will give you the perfect balance between “streaky headlights” and “unacceptable panning blur.” The good news is, with a big memory card and plenty of batteries, it doesn't cost much to experiment. You can blow off 2000 frames and just see what you get.

Not good enough? No problem. Turn on the radio and start driving again. Sometimes your mistakes result in great ideas.
rinder99


Joined: 12 Jul 2005
Posts: 39156
Location: Contact www.rinderart.com/Books and Workshops www.rindersmithphotography.com Youtube/rinder

Post Posted: Sun Feb 28, 2010 9:28 pm     Reply with quote

Nice piece.....Thanks
ruxpriencdiam


Joined: 07 May 2009
Posts: 26208
Location: Third Stone from the Sun

Post Posted: Sun Feb 28, 2010 10:32 pm     Reply with quote

Nice yes the hustle and bustle of the nightlife of the citylife.
bred


Joined: 13 Jan 2008
Posts: 1654
Location: Scotland

Post Posted: Wed Mar 10, 2010 3:43 pm     Reply with quote

Very cool finished product. How long did you spend painstakingly removing the logos, faces and licence plates and what is the shutter count now at on your D70s?!
dustine


Joined: 10 Jan 2009
Posts: 925
Location: You're in my viewfinder...

Post Posted: Fri Mar 12, 2010 4:30 pm     Reply with quote

Oh my gosh, did that make me dizzy! Stop the world, I want to get off! LOL! Kind of like what it would be like if we actually felt our world as it is spinning in space, I'll bet.

Nice Job.
dustine


Joined: 10 Jan 2009
Posts: 925
Location: You're in my viewfinder...

Post Posted: Fri Mar 12, 2010 4:31 pm     Reply with quote

bred wrote:
Very cool finished product. How long did you spend painstakingly removing the logos, faces and licence plates and what is the shutter count now at on your D70s?!


Are you kidding? Everything went to fast to recognize faces or read any logos! That's the secret!
paulprescott


Joined: 12 Mar 2008
Posts: 189

Post Posted: Sat Mar 13, 2010 3:43 pm     Reply with quote

sorry, but when I see that vid, it makes me car sick!

I think that my video of night time timelapse on the motorway is way cooler:

http://footage.shutterstock.com/clip-668554-hd-timelapse-of-car-driving-on-highway-at-night-through-tunnels.html

paulp
http://www.paulprescott.com
dustine


Joined: 10 Jan 2009
Posts: 925
Location: You're in my viewfinder...

Post Posted: Sat Mar 13, 2010 4:47 pm     Reply with quote

paulprescott wrote:
sorry, but when I see that vid, it makes me car sick!

I think that my video of night time timelapse on the motorway is way cooler:

http://footage.shutterstock.com/clip-668554-hd-timelapse-of-car-driving-on-highway-at-night-through-tunnels.html

paulp
http://www.paulprescott.com


Way cool. Can't but wonder where the highway patrol were...you really deserved a ticket for going that fast!

Both time lapse vids are awesome!


Dustie
paulprescott


Joined: 12 Mar 2008
Posts: 189

Post Posted: Sat Mar 13, 2010 5:22 pm     Reply with quote

dustine wrote:

Way cool. Can't but wonder where the highway patrol were...you really deserved a ticket for going that fast!
Both time lapse vids are awesome!
Dustie


The real sequence lasts 1m36 sec, with many tunnels, but I edited it to 13 secs.
I should put the longer version
bred


Joined: 13 Jan 2008
Posts: 1654
Location: Scotland

Post Posted: Sat Mar 13, 2010 6:29 pm     Reply with quote

dustine wrote:
bred wrote:
Very cool finished product. How long did you spend painstakingly removing the logos, faces and licence plates and what is the shutter count now at on your D70s?!


Are you kidding? Everything went to fast to recognize faces or read any logos! That's the secret!

I just read the title of the clip.
paulprescott


Joined: 12 Mar 2008
Posts: 189

Post Posted: Sat Mar 13, 2010 6:47 pm     Reply with quote

bred wrote:
dustine wrote:
bred wrote:
Very cool finished product. How long did you spend painstakingly removing the logos, faces and licence plates and what is the shutter count now at on your D70s?!


Are you kidding? Everything went to fast to recognize faces or read any logos! That's the secret!

I just read the title of the clip.


That's sad having to do that. Frame by frame. I wouldn't have bothered as the motion is so fast. Unless the reviewers check each single frame...that would be long at 24fps!!
varius


Joined: 19 Mar 2006
Posts: 5593
Location: Bietigheim - Bissingen, Germany

Post Posted: Mon Mar 15, 2010 9:30 am     Reply with quote

paulprescott wrote:
Unless the reviewers check each single frame...that would be long at 24fps!!


If the clip suggests that there might be copyrighted material in some frames, they DO check every single frame. At least they do that nowadays. When footage section was young, they didn't.
paulprescott


Joined: 12 Mar 2008
Posts: 189

Post Posted: Mon Mar 15, 2010 9:49 am     Reply with quote

varius wrote:
paulprescott wrote:
Unless the reviewers check each single frame...that would be long at 24fps!!


If the clip suggests that there might be copyrighted material in some frames, they DO check every single frame. At least they do that nowadays. When footage section was young, they didn't.


you mean they don't want subliminal advertising???!!
 
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