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What makes a good photographer?
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pjmorley


Joined: 15 Apr 2005
Posts: 3302

Post Posted: Sat Apr 21, 2012 7:35 am     Reply with quote

Or maybe what is it that gives the 'perception' that someone is a good photographer?

I'm not talking about what makes a good photograph and there is a distinction here because anyone can take a good photograph at some point either by design or by chance. The definition of what makes a good photograph is often open to question anyway but that's not the focus of my main question. However, a simple answer could be that taking good photographs is what makes a good photographer but I don't think that is necessarily true.

My basic answer is that the perception of what makes a good photographer is determined by what they don't show.

For example Henri Cartier Bresson is said to have taken over a million images during his lifetime. Ansel Adams is reported to have left behind hundreds of negatives that weren't up to standard.

So here we have two 'great' photographers whose reputation is created and kept intact not by what they show but to a large extent by what they don't show.

Thoughts?
semmickphoto


Joined: 12 Feb 2012
Posts: 6632
Location: Stuck between a shutter and a hard place

Post Posted: Sat Apr 21, 2012 7:43 am     Reply with quote

Meaning that we only know the greats, after they have passed away?

I think the question can have loads of answers, and there is truth in all of them. I think if you can move people with your photos and are able to express a vision that differentiate you from others you are a good photographer.
kaycee


Joined: 14 Feb 2008
Posts: 3607
Location: Limburg The Netherlands or at www.kaycee.nl

Post Posted: Sat Apr 21, 2012 7:56 am     Reply with quote

My diffenition of a great photographer is...
standing out from the rest, own style

You will know it when you see it....
pjmorley


Joined: 15 Apr 2005
Posts: 3302

Post Posted: Sat Apr 21, 2012 8:02 am     Reply with quote

semmickphoto wrote:
Meaning that we only know the greats, after they have passed away?

I think the question can have loads of answers, and there is truth in all of them. I think if you can move people with your photos and are able to express a vision that differentiate you from others you are a good photographer.


I think you are correct that there are probably many answers but I wonder if we had seen lots of the failures, would we have attached the label of 'greatness' to the photographer. Would their successes move us quite so much amidst the sea of banal and uninteresting ones they also took? Of course we don't see those so I wonder.
semmickphoto


Joined: 12 Feb 2012
Posts: 6632
Location: Stuck between a shutter and a hard place

Post Posted: Sat Apr 21, 2012 8:07 am     Reply with quote

pjmorley wrote:
semmickphoto wrote:
Meaning that we only know the greats, after they have passed away?

I think the question can have loads of answers, and there is truth in all of them. I think if you can move people with your photos and are able to express a vision that differentiate you from others you are a good photographer.


I think you are correct that there are probably many answers but I wonder if we had seen lots of the failures, would we have attached the label of 'greatness' to the photographer. Would their successes move us quite so much amidst the sea of banal and uninteresting ones they also took? Of course we don't see those so I wonder.


Aaaaah, yes, I thought you meant photographers were great because of the stuff they dont show. But you mean, they might not have been so great if we knew about their crapy work. Right, thats my thought exactly. But then, isnt it also a feature of a great photographer to know when the photo is not good, so they dont show it ;-)

I think the best photographers shoot a lot of bad photos (probably still less than others), but they recognize the ones that are great. And if you shoot more, the chance of a great photo increases. :)
pjmorley


Joined: 15 Apr 2005
Posts: 3302

Post Posted: Sat Apr 21, 2012 8:19 am     Reply with quote

kaycee wrote:
My diffenition of a great photographer is...
standing out from the rest, own style

You will know it when you see it....


But do we know it when we see it or are we told we've seen it?

Ask the question who are the best photographers and it's interesting to see that there is generally little variation with the same names appearing over and over.

In UK a photographer called Lord Snowdon is regarded as being one of the iconic photographers of his time but I would argue that his images are pretty average and it is his privileged and unique access to the Royal family that allowed him to be labelled as 'iconic'. Of course he didn't only photograph the Royal family but his position gave him a distinct advantage to gain access to lots of famous and potentially people that would want to be associated with his name.

So another attribute of being a great is providing unique images. However, if that uniqueness is only due to circumstance then does it warrant the label of being a great?
ruxpriencdiam


Joined: 07 May 2009
Posts: 26831
Location: Third Stone from the Sun

Post Posted: Sat Apr 21, 2012 8:42 am     Reply with quote

you need to have style unlike any other.

To be like the Jimi Hendrix of guitars or that of the Bruce Lee of Martial Arts.

You need to be unique and able to capture that image unlike anyone else can.

To make people freeze and look at your work and to be able to bring emotion into what they are viewing and make them discuss it and the whats and whys of it.

As Bruce Lee has said.

Quote:
"using no way as a way, using no limitations as a limitation"
jhuls


Joined: 02 Jan 2012
Posts: 1058

Post Posted: Sat Apr 21, 2012 8:47 am     Reply with quote

What makes someone a great photographer many times has nothing to do with abilities. I know a few really great photographers that just do it as a hobby and will probably never be famous but their work is unique and is very high quality. Here is a friend of mine he is from France and does wonderful work but does nothing to promote himself or his photography he gets enjoyment just from entering a few contests here and there:
http://www.dpchallenge.com/profile.php?USER_ID=113156

On the other hand I have seen threads in forums of supposedly great photographers that I thought must have only achieved greatness because of knowing the right people and being able to promote themselves. Their work really isn't unique or high quality but somehow they have made others believe it.
pjmorley


Joined: 15 Apr 2005
Posts: 3302

Post Posted: Sat Apr 21, 2012 9:11 am     Reply with quote

jhuls wrote:


On the other hand I have seen threads in forums of supposedly great photographers that I thought must have only achieved greatness because of knowing the right people and being able to promote themselves. Their work really isn't unique or high quality but somehow they have made others believe it.


I would agree with this whole heartedly, particularly with the last sentence. Your friend is talented.

Someone I know has been taking images for decades very much in the street photography style but has only ever done it as a hobby but what he has inadvertently done is capture the history of life in parts of UK.

http://www.usefilm.com/photographer/22647.html
libyphoto


Joined: 08 Jun 2009
Posts: 799
Location: Oz

Post Posted: Sat Apr 21, 2012 11:12 am     Reply with quote

PJ - Malcolmson is definitely more my style. This is the kind of photographic art that belongs in a coffee table book, mainly because it won't sell very well as wall art (except maybe for restaurants and etc).

I have been selling my black and whites in my gallery for 4 years now, and although these types of shots are my personal favorites, the average customer has little use for them - but the collection does sell in book form.

The average art-seeking customer looks less for that which makes a statement and more for that which leads them on a journey. For example, my "Path" images easily out-sell any others. The "path" can be an actual path, or a river, or a street, or a sidewalk and etc. - preferably one that wends away and leaves the viewer wondering what is around the bend. Basically, they want to be taken on a "journey of discovery." Look at most any Thomas Kinkade painting and you will understand.

Back in the day of "merit hunting" by trying to please judges at PPA with new and innovative stuff, I soon realized the "GREEN Merits" (i.e. Dollar Bills) of the customer were the merits to pursue. Many of those photographers that were hailed as "Great" because their merit work was so awesome, soon found they couldn't get the same success with their portrait customers. They could please some boorish high-brows, but they couldn't cut it where it counted.

Moral: Be "great" among your customers.

This is what makes a great (i.e. successful) photographer.
thinglass


Joined: 14 Dec 2009
Posts: 740
Location: Wessex

Post Posted: Sat Apr 21, 2012 1:35 pm     Reply with quote

Personally, I've always been drawn to those photographers who can show me what they saw as opposed to showing me what they can do.

Therefore, a good photographer IMHO is able to tell a story, engage my emotions and force me to ask questions of myself or the world we live in - which is why I'm drawn to documentary/photojournalism 'togs and find most commercial work mere frippery in comparison.
PaulCowan


Joined: 24 Feb 2005
Posts: 4189
Location: Evolving

Post Posted: Sat Apr 21, 2012 3:05 pm     Reply with quote

It's a good question. I think there are different kinds of "great". There are those who are great because of their technique, either with a camera and lights or in the darkroom; there are those who are great because they take the trouble to be in the right place at the critical moment; there are those who are great because they have the right friends and the right promotional skills; there are those who are great because of their ability to see what the camera will create; there are those who are great because the right members of the "in-crowd" decide to say they are; there are those who are great because they were innovative; there are those who are great because their personalities enable them to connect with their subjects.

You really can't put a portrait photographer and a war photographer or a landscape photographer or a nature photographer in the same box. A portrait photographer needs to connect with his subject and have excellent lighting and compositional skills; a war photographer needs to have a quick eye and to be in the right place at a certain time; a landscape photographer needs patience and the ability to recognise how the elements of a scene can be made to work harmonously in the frame; a nature photographer must have a deep understanding of the behaviour of his subjects and a great deal of patience.

If you look at Snowflake Bentley or Karl Blossfeldt, they both achieved fame by meticulously recording natural forms as nobody had done before and few if any have done since. They worked with the technical proficiency of a laboratory scientist ... were they "great photographers"?

Are the top ten microstock photographers great, since they command huge salaries, or are they just technicians applying a formula? I suspect the decision on that one depends on whether you judge greatness by the popularity of their output or by its originatlity or lack thereof.

A TV programme on great photographers included a guy who took tedious photos of US filling stations back in the 1960s. Someone had decided this made him great. I didn't think so. In the end, greatness, like beauty, is in the eye of the beholder.
triceratops


Joined: 15 Nov 2006
Posts: 7934
Location: The other Nevada

Post Posted: Sat Apr 21, 2012 8:43 pm     Reply with quote

Take the painter Thomas Kincaid as an example. To the majority of "art" critics, he was a disaster. They took great joy in running down his creations. Yet to many "average" individuals, his work seemed to hit an emotional level unmatched by his contemporaries. As a result, he sold and made millions. So was he "great?" To the average Joe, most would say yes. To the art critic, most would say no. It seems to be a subjective call and depends upon what your individual definition of greatness may be. Making money? Does it or does it not follow conventional wisdom? I'll know it when I see it?

I agree with Paul. I don't think there is one single answer or measure, as there is in so many other professions. It's not how many home runs you hit or how fast you can run. To me, it appears that only history can look back dispassionately and judge whether or not someone deserves to be called great.
PaulCowan


Joined: 24 Feb 2005
Posts: 4189
Location: Evolving

Post Posted: Sun Apr 22, 2012 12:50 am     Reply with quote

triceratops wrote:
To me, it appears that only history can look back dispassionately and judge whether or not someone deserves to be called great.


And that's accidental, too. Henri Lartigue took his iconic racing car photo when he was 18. If he had died any time in the next 50 years (or lost his negatives) he would still be a nobody. It was only by accident that his archive happened to come to the attention of the director of the Museum of Modern Art when Lartigue was 69 years old.

I'm "following" a young street photographer whose work is ok but far from extraordinary who is getting included in major exhibitions, presumably by having got in with the right crowd.

Now, if you want to see a fabulous, almost completely unknown talent who I think could easily take her place alongside any of the "greats" (MoMA dircctor, are you listening?) take a look at this artist I stumbled across on Flickr:
http://www.flickr.com/photos/joss_linn_gagne/
wolfienz


Joined: 17 Apr 2012
Posts: 31
Location: Gulf Harbour, New Zealand

Post Posted: Sun Apr 22, 2012 5:59 am     Reply with quote

Those are certainly different pics, suspect the skill is maybe in photoshop as well
 
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