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rtsfoto
Joined: 16 Apr 2012
Posts: 4
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Posted: Sat May 05, 2012 6:22 am
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I have just had most of my ten submissions rejected, which if I am to be honest, shocked me.
I try and get all my images, correct in camera, I do not like to use Photoshop, because I believe that, photographers who add blue skies or fluffy clouds or saturate any colors or do any major changes are producing a false image,
Perhaps it is because I am from the old school , of film. I have tried to attach one of my images they rejected, but for some reason it wont show on here. |
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hhltdave5

Joined: 20 Jun 2006
Posts: 24082
Location: Our Stock, Food & Portrait photography books at www.rindersmithphotography.com
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Posted: Sat May 05, 2012 7:13 am
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There are many of us here who are old school photographers who started in film decades ago. We had to learn that stock is a different type of animal and needs to be treated as such. Not all images need to be totally redone and many of us agree to get it as good as possible in camera and just enhance in Photoshop.
Those who add skies are not doing anything wrong they are just supplying the customer with what they want. This does not mean that you must forget your other style of photography because we still do that type of photography as well.
It is best to post your work in the Critique forum. The first post there will explain how to post the images. Basically you need to make the main shot no bigger than 500 pixels on the longest side and less than 247k. Please make sure to post 100% crops of the critical areas so we can check for focus and noise. |
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pharm

Joined: 09 Jul 2006
Posts: 9406
Location: Never quite sure
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Posted: Sat May 05, 2012 10:38 am
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I used to have the same attitude. I felt like "Photoshopped" images were somehow "fake". I started playing with it just for fun and then one day I heard myself saying "Photoshop is my darkroom now". I realized that it was basically no different from when I used to dodge and burn in the darkroom, only it was easier to do in Photoshop. I could also do a lot more.
From a strictly artistic photography point of view, I understand your reservations. When offering images for sale/license, as Dave said, we have to produce what they want, not necessarily what WE want. If a buyer wants an image of a beautiful lake scene but he/she wants a huge duck flying over the lake, then we can provide it, even though it's not real. Our goal, as is Shutterstock's, is to make money. It's a business and to keep up with "the times" and stay alive, a business has to be willing to change and offer what their customers want. If they want images with pretty blue skies and fluffy clouds, but they also want to see the lake that we shot "naturally", then we have to adjust, work a little magic in Photoshop, and let them have what they want.
Also, if your images were rejected, it's because they didn't meet SS standards. They may have had uneven lighting or noise, etc. It doesn't mean they're not good images, just not the kind of images that SS customers buy. It was an adjustment for me, and a lot of submitters here, to have to watch for noise, even lighting, etc. but my photography skills (even without Photoshop) improved greatly because of it.
Anyway, hope that helps a little. |
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rtsfoto
Joined: 16 Apr 2012
Posts: 4
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Posted: Sat May 05, 2012 3:04 pm
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Another thing, I submitted two images of a Roman soldier and a Old Thai man, both in focus and as I thought nice portraits, but oh no they said i required a
Model release form, so for example if I took a image of Tom Hanks or Brad Pitt, who by the way are over here in Malta, filming on a regular basis,
should I then, approach them to ask them to sign, my model release form.
If I should submit the image to SS.
There seems to be one rule for them and one rule for us. |
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rtsfoto
Joined: 16 Apr 2012
Posts: 4
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Posted: Sat May 05, 2012 3:24 pm
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Thanks pharm
I understand what you are saying, but it gets so frustrating sometimes. I take photographic images to the best of my ability, some of the images that I submitted to SS, have been praised by many different photographers .
But yet they have rejected them.
One in particular is Reflections in the Night
i captured this image by chance, the image that you can see, is the image that I caught in the camera,
Natural light, nothing added nothing taken away.
Please have a look. wwwrussellswindlehurstphotography.com |
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hhltdave5

Joined: 20 Jun 2006
Posts: 24082
Location: Our Stock, Food & Portrait photography books at www.rindersmithphotography.com
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Posted: Sat May 05, 2012 4:30 pm
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| rtsfoto wrote: | Another thing, I submitted two images of a Roman soldier and a Old Thai man, both in focus and as I thought nice portraits, but oh no they said i required a
Model release form, so for example if I took a image of Tom Hanks or Brad Pitt, who by the way are over here in Malta, filming on a regular basis,
should I then, approach them to ask them to sign, my model release form.
If I should submit the image to SS.
There seems to be one rule for them and one rule for us. |
Images of people can be submitted and approved in three ways. First to have the person sign a model release.
The second one is to submit them as editorial which does not require a model release but they must follow the guidelines set by Shutterstock. This means the image must be newsworthy and have the proper description entered in the image. These editorial conditions are covered in Shutterbuzz under the Editorial section.
The third way is if the person(s) in the image are not recognizable. This means that the person in the shot could not identify themselves in the image by sight or by the situation of the image.
These guidelines must be followed so as to reduce as much as possible any possible litigation for using an image of someone for profit without their permission.
The same goes for property. Copyright and trademark protections are in place so certain objects cannot be sold for a profit without the owner's permission or unless it is authorized by it being submitted as editorial. |
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hhltdave5

Joined: 20 Jun 2006
Posts: 24082
Location: Our Stock, Food & Portrait photography books at www.rindersmithphotography.com
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Posted: Sat May 05, 2012 4:34 pm
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| rtsfoto wrote: | Thanks pharm
I understand what you are saying, but it gets so frustrating sometimes. I take photographic images to the best of my ability, some of the images that I submitted to SS, have been praised by many different photographers .
But yet they have rejected them.
One in particular is Reflections in the Night
i captured this image by chance, the image that you can see, is the image that I caught in the camera,
Natural light, nothing added nothing taken away.
Please have a look. wwwrussellswindlehurstphotography.com |
I took a look at your images on your site and you have some nice work. We cannot give a proper critique on them for submission to stock because we cannot see 100% crops. Reviewers must look at images at 100% to check for focus and noise. Stock images here at Shutterstock must have tack sharp focus in the critical areas as well as being noise free.
What was the reason for rejection on the night shot? |
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mauijon

Joined: 02 Mar 2005
Posts: 4279
Location: Maui, Hawaii
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Posted: Sat May 05, 2012 4:52 pm
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I took a look at your port as listed. Most of the shots either require a model or property release (or editorial submission.) Many have the subject centered, spoiling the composition (see Rule of Thirds) and many are taken at the wrong time of day and have heavy shadows.
Most of these, sorry to say, have little stock value and do not further the idea to enhance or sell a product or concept. Think about the future use of your images. They hopefully can be used by a designer whole, or parts of the shot can be lifted and put into another image which would tend to sell a product. |
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ruxpriencdiam

Joined: 07 May 2009
Posts: 26259
Location: Third Stone from the Sun
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Posted: Sat May 05, 2012 4:55 pm
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Since you have them on a site it is easy to post them here.
But we need to see a full size image and a 100% crop of the image at no larger then 500x500.
Dave explained where you can do that.
Also Hanks and Pitt are submitted as Editorial anyone else unless they fall into the editorial category will need a model release.
This one has copyrights all over it may have noise in the sky has uneven lighting and looks OOF.
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rtsfoto
Joined: 16 Apr 2012
Posts: 4
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Posted: Sun May 06, 2012 3:19 am
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Thanks everybody for your help and advice, I appreciate your feedback.
With reference to the shadows, as you can imagine here in Malta we have a lot of sunshine and I am restricted to the time I can shoot, if I am covering an event, I can only shoot when the event is happening.
Obviously I cant stop everyone that I am photographing and ask them to sign a MRF.
It looks like I will have to change my style of photography if I want to submit images to SS. |
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hhltdave5

Joined: 20 Jun 2006
Posts: 24082
Location: Our Stock, Food & Portrait photography books at www.rindersmithphotography.com
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Posted: Sun May 06, 2012 6:41 am
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| rtsfoto wrote: | Thanks everybody for your help and advice, I appreciate your feedback.
With reference to the shadows, as you can imagine here in Malta we have a lot of sunshine and I am restricted to the time I can shoot, if I am covering an event, I can only shoot when the event is happening.
Obviously I cant stop everyone that I am photographing and ask them to sign a MRF.
It looks like I will have to change my style of photography if I want to submit images to SS. |
Keep one thing in mind when it comes to shooting images that will end up being editorial. Editorial shots are not meant to be reviewed in the same manner as the regular stock shots. Editorial shots are not to be changed to any large degree in post processing. They are meant to be shots taken at the time of the event.
So, things such as harsh light and shadows, shooting at the wrong time of day does not really come into play when they are reviewed.
As far as changing you style of photography you don't have to do that totally either. As I have mentioned before many of us come from film backgrounds who did the more artistic type of images completely different from stock. What we had to do is learn how to shoot for stock but we still retain our personal style of shooting for other photographic projects. All you are doing is learning another way of creating an image. When we shoot for stock we shoot in that style. When we are shooting for something else we shoot for that. |
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