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ansku

Joined: 07 Apr 2012
Posts: 147
Location: Finland
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Posted: Thu Aug 02, 2012 10:28 am
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I make these newbie mistakes all the time. Probably because I am one :-)
But I was shooting this jar home made jam, and didn't realize after when editing that of course the glass has reflections from my soft boxes and windows etc on it. And this particular jar is in Italy, so not possible to reshoot. I have no idea how to clone this in PSE - when I try to clone it, it's such a large area that the end result is just a lifeless surface, not realistic (btw, the crop is not 100%, just wanted to show the problem area a bit closer. but please feel free to say OOF anyway..).
This is probably not a best seller shot anyway, so I might just throw it in the trash, but I was just curious whether this could be fixed using something else than the clone tool, and above all - how to shoot surfaces that are shiny, to avoid reflections?
PS: thanks Jeff, Dave and Barry, I found the Curves tool in PSE! Was a bit disappointed though since it doesn't have channels for each color.
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rinder99

Joined: 12 Jul 2005
Posts: 39256
Location: Contact www.rinderart.com/Books and Workshops www.rindersmithphotography.com Youtube/rinder
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Posted: Thu Aug 02, 2012 10:56 am
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I think I see you also?? the trick is to really look before shooting. Reposition the lights or point them Up.Most pro Product shooters use overhead Lighting and reflectors that are hidden.
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jeffbanke

Joined: 18 Dec 2005
Posts: 17468
Location: www.xlr8photo.com, The real California
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Posted: Thu Aug 02, 2012 11:02 am
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| rinder99 wrote: | | I think I see you also?? the trick is to really look before shooting. Reposition the lights or point them Up.Most pro Product shooters use overhead Lighting and reflectors that are hidden. |
+1
This and hang a large white sheets or foam core boards so at least there are no details in the reflection, and spray the reflective surface with something (spray glue is often used) to reduce the reflections in needed
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ansku

Joined: 07 Apr 2012
Posts: 147
Location: Finland
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Posted: Thu Aug 02, 2012 11:08 am
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Great, thanks guys! Good tips.
And yes, that's me there behind the camera..
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hhltdave5

Joined: 20 Jun 2006
Posts: 24094
Location: Our Stock, Food & Portrait photography books at www.rindersmithphotography.com
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Posted: Thu Aug 02, 2012 12:46 pm
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What Jeff mentioned is also called Dulling Spray and you can get it in most hardware or craft stores.
Often a reflection is great for a shot because it will help it pop a bit. Like Jeff said often the goal is to remove the crap you can see in the reflection so what you end up with is a white reflection.
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ansku

Joined: 07 Apr 2012
Posts: 147
Location: Finland
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Posted: Thu Aug 02, 2012 1:17 pm
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Yes, I noticed that some kind of reflection would be nice, since the cloning makes the surface a bit dull - not natural.
Hmmm, don't know whether we have Dulling spray in Finnish hardware stores, but luckily there's the internet...
Since reflections aren't always that bad, what do you guys think of this? It doesn't show my reflection (managed to edit it out, there wasn't much anyway), and here I didn't use any umbrellas or other visible stuff. There's just the house and some green trees and the sky, but I think they look kinda OK...?
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digigandalf

Joined: 11 Jun 2005
Posts: 5418
Location: Twinsburg, OH
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Posted: Thu Aug 02, 2012 3:23 pm
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Not too bad as far as I can tell. Might be better if the reflection weren't dead center in the jug. Also, I'd cut off the whole foliage section at right (as below), 1) to get rid of the blown highlights and 2) to simplify the composition as a whole.
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robhainer

Joined: 03 May 2010
Posts: 2769
Location: Dallas, GA, USA
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Posted: Thu Aug 02, 2012 3:36 pm
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Sometimes when I'm doing flowers in vases, I can use the patch tool or heal tool for a quick, clean fix, but I don't usually have reflections taking up such a large portion of the subject.
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rinder99

Joined: 12 Jul 2005
Posts: 39256
Location: Contact www.rinderart.com/Books and Workshops www.rindersmithphotography.com Youtube/rinder
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Posted: Thu Aug 02, 2012 9:36 pm
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Reflections like shadows are fine unless they control or overpower the subject.
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jhuls

Joined: 02 Jan 2012
Posts: 1047
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Posted: Thu Aug 02, 2012 10:33 pm
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Since you mentioned you can't reshoot a clone can be done if you do it carefully. Try to do smaller areas at a time and then make sure to use a tone and a shade close to what would naturally be there. I also added a bit of dodging when I was done to make it not so flat.
Not perfect but I was just doing a quick edit, I bet you could do better.
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markrhiggins
Joined: 28 Jan 2008
Posts: 2010
Location: Australia
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Posted: Thu Aug 02, 2012 11:39 pm
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I also think cloning is the answer post shooting. Diffusers and reflectors help on the shoot also next shoot try using a polariser filter. It can be effective.
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ansku

Joined: 07 Apr 2012
Posts: 147
Location: Finland
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Posted: Fri Aug 03, 2012 1:23 am
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Thank you all!!! And Jenn, you are a genious!!! If that's a quick edit, you're GOOD. I'm so impatient with cloning. I hate cloning, as a matter of fact. But since you showed it can be done, I'll give it a try, patiently this time. And the dodge tool is a very good idea!
I did notice the blown highlights in the foliage... I liked the green color and what it added to the whole shot. But yes, blown highlights are blown highlights. No way around that.
I'd like to ask your opinion about the composition on the jam jar shot (and on the vase shot too, actually). I had an AHA!-moment yesterday, when I realized that I tend to use the same (BORING) composition in all my still life shots. It's like a mug shot but with the rule of thirds, to but it simply. Here's an example, it's my shot that has zero sales in all the 3 months that I've been in SS:
I'm thinking I should try totally different angles, something like these:
What do you think? Time to move on from my "passport shots" to more creative ones? (Although... there are "mug shot compositions" (ha, my own term created here) in the most popular ones when searching jam jars...).
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barnabychambers

Joined: 23 Jan 2009
Posts: 272
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Posted: Fri Aug 03, 2012 1:40 am
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This is one of my more popular pics. I actually took it from this angle to avoid reflections in the glass but I think the angle is what makes it popular. I say playing with composition can only help.
About reflections in glass. I have no lighting equipment at all. I use my loungeroom window and a reflecter. I almost gave up on anything reflective because the cloning is such a pain. Its really hit or miss weather its easy or imposible.
But if you are careful about angles and what you shoot it can be OK. If you choose a jar with a different shape it should be easier. Yours is so round it reflects a lot. If you found jars more like the ones in your later examples the reflections might be more manageable in camera
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nadger

Joined: 13 Sep 2009
Posts: 259
Location: God only knows
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Posted: Fri Aug 03, 2012 6:24 am
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| ansku wrote: | Thank you all!!! And Jenn, you are a genious!!! If that's a quick edit, you're GOOD. I'm so impatient with cloning. I hate cloning, as a matter of fact. But since you showed it can be done, I'll give it a try, patiently this time. And the dodge tool is a very good idea!
I did notice the blown highlights in the foliage... I liked the green color and what it added to the whole shot. But yes, blown highlights are blown highlights. No way around that.
I'd like to ask your opinion about the composition on the jam jar shot (and on the vase shot too, actually). I had an AHA!-moment yesterday, when I realized that I tend to use the same (BORING) composition in all my still life shots. It's like a mug shot but with the rule of thirds, to but it simply. Here's an example, it's my shot that has zero sales in all the 3 months that I've been in SS:
What do you think? Time to move on from my "passport shots" to more creative ones? (Although... there are "mug shot compositions" (ha, my own term created here) in the most popular ones when searching jam jars...). |
I like all these!
Edit - oops - I thought these were yours Anna-Mari!
Last edited by nadger on Fri Aug 03, 2012 7:30 am; edited 1 time in total |
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hhltdave5

Joined: 20 Jun 2006
Posts: 24094
Location: Our Stock, Food & Portrait photography books at www.rindersmithphotography.com
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Posted: Fri Aug 03, 2012 7:12 am
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| ansku wrote: | | What do you think? Time to move on from my "passport shots" to more creative ones? (Although... there are "mug shot compositions" (ha, my own term created here) in the most popular ones when searching jam jars...). |
Anna-Mari one thing I have always talked about especially when doing food work is to change things up and look for the different shots within the setup, my "shot withing the shot" and "building the shot."
Sometimes you find yourself getting into a rut. You become comfortable with what you have found success with. To expand and grow you sometimes need to get out of that comfort area and do new things. So yes, try different angles, look inward at the shots and see what else is there. Get one shot then add something to the shot to change it up and give it a different look.
For example with the jam shot you can take something like you showed then take some toast or an English Muffin, add some jam to that and put that in the shot letting it take the main stage and have the jar of jam become the supporting player.
Also try different lighting. Use more back lighting that can help giving a shot that extra pop. Here is our video on that in case you have not seen it.
http://www.youtube.com/watch?v=mPlyldgFcW0
When I am doing a set up for a shot I look like I am in some kind of a trance. I will stand there and stare at an empty table and run all kinds of possibilities through my mind. I see each setup in my head and then I can put what I have come up with into action. Let your mind and imagination go and I think you will be very happy with the results.
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